Making great music is one thing.
Building the momentum to get it heard is another.
Amplifyr plugs in where you need it most.
How hands-on do you want to be?
What are you spending on ads each month?
Check everything looks right.
No worries — these things happen. If you hit a snag with payment, had a question mid-checkout, or just want to talk it through before committing, we're here.
Get in Touch →We usually reply within a few hours.
Run it for you, build it and hand it over, or coach you through running it yourself. Tell us the budget and the price is on screen before you commit to anything.
Audiences, campaign structure, creative direction, objectives, tracking and retargeting. Set up the way it should have been set up the first time.
Clear reporting on reach, fans and conversions, plus a plain answer on what to change next and what to leave alone.
Nearly every campaign we run is one of these six. If yours isn't, it usually turns out to be one of them wearing a different coat.
The full funnel. Cold discovery, retargeting, then an email list you own rather than rent from a platform.
Streams and saves for a new single or album, across Spotify, YouTube and Apple Music.
Tickets in front of people who live near enough to actually turn up, timed to the on-sale and the last push.
Your store in front of the fans most likely to buy, with the retargeting that catches the ones who nearly did.
Audience on the platform that matters to your career, built from people who engage rather than people who inflate a number.
Followers for a playlist you own, so you stop asking other people to add your music and start being the person who gets asked.
Something else in mind? Say so in the form and I will come back with a plan rather than a package.
Plays are easy to generate. A real fanbase. People who buy, show up, and come back. That takes a different kind of system.
In 2021, Amplifyr ran paid ad campaigns on tracks from The Problem of Leisure, a celebration of Andy Gill and Gang of Four which featured La Roux, IDLES, The Dandy Warhols, Gary Numan, Tom Morello, Serj Tankian, Flea, John Frusciante, Everything Everything, Warpaint, and Nova Twins.
We handled the digital advertising across singles, the album, and merch. The artists were already famous. We just made sure people heard the music.
Meta campaigns targeting superfans delivered a 6.5x return on ad spend.
Designed a fan subscription model that generates revenue and repays marketing spend.
Debut album reached 1.6 million streams, driven by targeted campaign strategy and a full Amplifyr build.
Achieved algorithmic traction through lean, targeted campaigns built around real signal.
Built a network of label-owned Spotify playlists totalling over 68,000 followers via sustained Meta campaigns.
Over 2.4 million music fans reached across 67 campaigns for rostered Kycker artists.
Paying someone to run your ads only makes sense once the budget is big enough that the fee is a small part of it. Under £500 a month it isn't, so we'll point you somewhere better rather than take the work.
Sixty minutes on one problem. We go through the account beforehand, work through it together, and you leave with a written summary of what to change.
A 45 minute call every fortnight, support in between, three months to start. Fortnightly rather than weekly on purpose: campaigns need leaving alone to learn, and a weekly call is an invitation to fiddle.
One campaign built properly. Audiences, structure, creative direction, tracking and retargeting, then handed over with notes on what to watch and what to leave alone.
We build it, run it and report on it. You never open Ads Manager. Priced at £495 a month or 15% of your ad spend, whichever is greater, so it scales with the account instead of being renegotiated every time it grows. No separate build fee, that's included from month one.
For labels, managers and distributors. Campaign planning and execution across a roster, with reporting your team can rely on.
Ad spend is separate and always paid to the platform from your own account. Take a campaign build and upgrade to coaching or management within 30 days and the £395 comes off your first month.
Spending under £500 a month? Get in touch and we'll point you to what makes sense instead.
If you're managing a roster, running a label, or working as a distributor, we work alongside your team to bring structure, strategy, and proper campaign execution across multiple releases.
Integrated support across multiple releases or rosters. Ongoing strategy, campaign builds, and reporting.
Full setup and reporting over 4–6 weeks. Option to scale after proof of concept.
Every artist who breaks through has one thing in common. Not luck, not a single viral moment, but momentum: a system that keeps turning. New people discovering the music, some of them staying, a few becoming real fans who tell someone else.
We call it the Momentum Engine. Most artists are already running one without realising it, in the gigs they play, the songs they release, the people who already care. The engine runs on more than ads. It runs on your music, your story, your live shows, the press and radio you earn, and the fans who spread the word.
Amplifyr is the paid piece. We take what is already working and put real budget behind it, so more of the right people hear it. We do not build momentum from nothing. We amplify the momentum you have already started.
Read the full breakdown of the Momentum Engine →Ads are one cog in the engine, and they are the cog we drive for you. The rest stays yours.
"Great music should find its audience. The systems to make that happen shouldn't be out of reach."
I came to this as a musician first. Learning how to build a direct connection with fans, cutting out the gatekeepers, doing it independently. That changed how I saw everything.
Then I started helping friends. Then other artists. And I kept seeing the same things: murky offers, platforms that take your money regardless of whether the music has a real chance, and a lot of noise dressed up as strategy.
Amplifyr exists to do two things: give music businesses a proper digital marketing partner who actually gets it, and give independent artists the tools to do it themselves, ethically, and in a way that actually works.
Not to serve the platform. To serve the music.
Start a campaign now, or get in touch if you'd like to talk it through first.